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Culture   

These courses will open for registration on Friday, May 2, at 1 PM. 

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  • Caravaggio: Baroque's Bad Boy and Greatest Innovator
  • Fee: $30.00
    Item Number: 2025 SCOR132901
    Dates: 6/3/2025 - 7/1/2025
    Times: 1:00 PM - 3:00 PM
    Days: Tu
    Sessions: 5
    Building: Hunter Presbyterian Church
    Room: Fellowship Hall
    Instructor: Michael Worley
    THIS CLASS IS FULL. Please click the "Add to Waitlist" button below.

    Students will learn about the most innovative and influential painter of his time, Michelangelo Merisi da Caravaggio (1573- 1610), including his tempestuous life and his best-known works. The Baroque movement in art actually started with this astonishing artist. His paintings will be considered within the context of his Mannerist predecessors and like-minded progressive artists in Italy. The authenticated canvases and mural decoration will be presented with PowerPoint slide lectures.
 

  • Cleveland Museum of Art - 3 Summer Courses  Zoom Only
  • Fee: $20.00
    Dates: 6/6/2025 - 6/20/2025
    Times: 10:00 AM - 11:00 AM
    Days: F
    Sessions: 3
    Building: ZOOM
    Room:
    Instructor: Cleveland Museum of Art Cleveland Museum of Art
    Maximum Enrollment: 200

    This summer, register to take a series of 3 Cleveland Art Museum online courses! The 3 courses will include “The Art of Adornment” (June 6), “Impressionism” (June 13) and “Relief Printmaking: A Japanese/German Comparison” (June 20). When you register for this series, you are registering to attend all 3 sessions in the series. See descriptions below:

    The Art of Adornment Friday, June 6, 2025, 10 - 11 a.m. Students will explore ways in which various cultures throughout history have used adornment to establish personal and social identity. Body shaping, tattooing, piercing, scarification, cosmetic use and decorative arrangements of hair reflect diverse cultural values and also relate to issues of self-definition facing students today.

    Impressionism Friday, June 13, 2025, 10 - 11 a.m. Learn about the works of Impressionist and Post- Impressionist painters such as Monet, Degas, van Gogh and Cézanne whose experiments with the effects of different conditions of light and paint application created a new way of seeing the world. The world these artists shared had much in common with our own era of rapid technological change and rise in standard of living. Students will consider how such factors influenced Impressionism.

    Relief Printmaking: A Japanese/German Comparison Friday, June 20, 2025, 10 - 11 a.m. In this presentation on the history of relief printmaking participants examine the varied techniques and tools used by Western and Asian artists to create their works. Additional topics include the change in function of prints, from religious aids during the Middle Ages in Germany and elsewhere to the use of Japanese prints as part of popular tourist culture in the 19th century. We will compare origins of both printmaking traditions and learn about the sequence of Japanese woodblock printmaking.

 

  • The "Back to the Future" Movie Trilogy (Hybrid)  In Person
  • Fee: $30.00
    Dates: 7/14/2025 - 7/25/2025
    Times: 1:00 PM - 4:00 PM
    Days: M F
    Sessions: 4
    Building: Lexington Theological Seminary
    Room: 3rd floor
    Instructor: Ed Reeves
    Maximum Enrollment: 24

    We will watch the “Back to the Future” trilogy (1985 – 1990). We will discuss how time travel reveals the humorous vulnerabilities of teenagers in the 1950s. Another major theme we will explore is the ability of time travel to alter the future, albeit with tricky repercussions. The development and production history of each movie in the trilogy will be discussed. Key cinematic features like character development, narrative structure, music, production design, and special effects will be analyzed. Additionally, we will discuss the cultural significance of these films, including “fan theories” and commercial tie-ins. This course will provide a deeper understanding of why these films are timeless comedy classics.
    July 14, 18, 21 & 25
 

  • The "Back to the Future" Movie Trilogy (Hybrid)  Zoom Only
  • Fee: $30.00
    Dates: 7/14/2025 - 7/25/2025
    Times: 1:00 PM - 4:00 PM
    Days: M F
    Sessions: 4
    Building: ZOOM
    Room:
    Instructor: Ed Reeves
    Maximum Enrollment: 25

    We will watch the “Back to the Future” trilogy (1985 – 1990). We will discuss how time travel reveals the humorous vulnerabilities of teenagers in the 1950s. Another major theme we will explore is the ability of time travel to alter the future, albeit with tricky repercussions. The development and production history of each movie in the trilogy will be discussed. Key cinematic features like character development, narrative structure, music, production design, and special effects will be analyzed. Additionally, we will discuss the cultural significance of these films, including “fan theories” and commercial tie-ins. This course will provide a deeper understanding of why these films are timeless comedy classics.
    July 14, 18, 21 & 25
 

  • What It Was: Growing Up When the Music Mattered   Zoom Only
  • Fee: $20.00
    Dates: 6/16/2025 - 6/16/2025
    Times: 2:00 PM - 4:00 PM
    Days: M
    Sessions: 1
    Building: ZOOM
    Room:
    Instructor: James Pagliasotti
    Maximum Enrollment: 100

    What It Was: Growing Up When the Music Mattered is a memoir of coming of age in the tumultuous years of post- War America, when the counter culture was in full flower and the Classic Era of Rock Music was being created. Not coincidentally, it coincided with a brief period of artistic freedom in commercial radio as well, which connected the artists with the audience and unleased an era of astonishing innovation. This is one person's look at What It Was and Why It Mattered. The course is a two-hour lecture with a five minute intermission that looks at the social forces roiling America as a generation came of age, the music that was its voice, the dramatic changes that were brought about in the music business and the media, and the role creative freedom played in the evolution. It posits memoir as perhaps the truest history of our time.
 

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